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THOUGHTS OF OLD TIME FROM A NIGHT-MOORING
UNDER MOUNT NIU-ZHU
This night to the west of the river-brim
There is not one cloud in the whole blue sky,
As I watch from my deck the autumn moon,
Vainly remembering old General Xie….
I have poems; I can read;
He heard others, but not mine.
…Tomorrow I shall hoist my sail,
With fallen maple-leaves behind me.
ON A MOONLIGHT NIGHT
Far off in Fuzhou she is watching the moonlight,
Watching it alone from the window of her chamber-
For our boy and girl, poor little babes,
Are too young to know where the Capital is.
Her cloudy hair is sweet with mist,
Her jade-white shoulder is cold in the moon.
…When shall we lie again, with no more tears,
Watching this bright light on our screen?
A SPRING VIEW
Though a country be sundered, hills and rivers endure;
And spring comes green again to trees and grasses
Where petals have been shed like tears
And lonely birds have sung their grief.
…After the war-fires of three months,
One message from home is worth a ton of gold.
…I stroke my white hair. It has grown too thin
To hold the hairpins any more.
A NIGHT-VIGIL IN THE LEFT COURT OF THE PALACE
Flowers are shadowed, the palace darkens,
Birds twitter by for a place to perch;
Heaven’s ten thousand windows are twinkling,
And nine cloud-terraces are gleaming in the moonlight.
…While I wait for the golden lock to turn,
I hear jade pendants tinkling in the wind….
I have a petition to present in the morning,
All night I ask what time it is.
TAKING LEAVE OF FRIENDS ON MY WAY TO HUAZHOU
In the second year of Zhide, I escaped from the capital through the Gate of Golden Light and went to Fengxiang. In the first year of Qianyuan, I was appointed as official to Huazhou from my former post of Censor. Friends and relatives gathered and saw me leave by the same gate. And I wrote this poem.
This is the road by which I fled,
When the rebels had reached the west end of the city;
And terror, ever since, has clutched at my vitals
Lest some of my soul should never return.
…The court has come back now, filling the capital;
But the Emperor sends me away again.
Useless and old, I rein in my horse
For one last look at the thousand gates.
ON HEARING AN WANSHAN PLAY THE REED-PIPE
Bamboo from the southern hills was used to make this pipe.
And its music, that was introduced from Persia first of all,
Has taken on new magic through later use in China.
And now the Tartar from Liangzhou, blowing it for me,
Drawing a sigh from whosoever hears it,
Is bringing to a wanderer’s eyes homesick tears….
Many like to listen; but few understand.
To and fro at will there’s a long wind flying,
Dry mulberry-trees, old cypresses, trembling in its chill.
There are nine baby phoenixes, outcrying one another;
A dragon and a tiger spring up at the same moment;
Then in a hundred waterfalls ten thousand songs of autumn
Are suddenly changing to The Yuyang Lament;
And when yellow clouds grow thin and the white sun darkens,
They are changing still again to Spring in the Willow Trees.
Like Imperial Garden flowers, brightening the eye with beauty,
Are the high-hall candles we have lighted this cold night,
And with every cup of wine goes another round of music.
RETURNING AT NIGHT TO LUMEN MOUNTAIN
A silver stream is hanging down to three stone bridges
Within sight of the mighty Tripod Falls.
Ledges of cliff and winding trails lead to blue sky
And a flush of cloud in the morning sun,
Whence no flight of birds could be blown into Wu.
…I climb to the top. I survey the whole world.
I see the long river that runs beyond return,
Yellow clouds that winds have driven hundreds of miles
And a snow-peak whitely circled by the swirl of a ninefold stream.
And so I am singing a song of Lu Mountain,
A song that is born of the breath of Lu Mountain.
…Where the Stone Mirror makes the heart’s purity purer
And green moss has buried the footsteps of Xie,
I have eaten the immortal pellet and, rid of the world’s troubles,
Before the lute’s third playing have achieved my element.